SMALL BOOKS

BY AVE PILDAS

  • SHOP
  • Watch Ave's America
  • Instagram
  • Subscribe to PixFix Emails
  • Blog
  • PRESS
'Teapot Nude' 1979 © Ave Pildas
'Teapot Nude' 1979 © Ave Pildas

Nudes, but not your Playboy magazine nudes! No airbrush here! These are artful nudes! Some are sexy, but it's not about sex!

'Dotted Swiss' 1979⁠ © Ave Pildas
'Dotted Swiss' 1979⁠ © Ave Pildas

Nudes, but not your Playboy magazine nudes! No airbrush here! These are artful nudes! Some are sexy, but it's not about sex!

'Pam and Stripes' 1980  © Ave Pildas
'Pam and Stripes' 1980 © Ave Pildas

Nudes, but not your Playboy magazine nudes! No airbrush here! These are artful nudes! Some are sexy, but it's not about sex!

'Silent' 1979 © Ave Pildas
'Silent' 1979 © Ave Pildas

Nudes, but not your Playboy magazine nudes! No airbrush here! These are artful nudes! Some are sexy, but it's not about sex!

'Built for Speed' 1979 © Ave Pildas
'Built for Speed' 1979 © Ave Pildas

Nudes, but not your Playboy magazine nudes! No airbrush here! These are artful nudes! Some are sexy, but it's not about sex!

'Fingernails' 1979 © Ave Pildas
'Fingernails' 1979 © Ave Pildas

Nudes, but not your Playboy magazine nudes! No airbrush here! These are artful nudes! Some are sexy, but it's not about sex!

'Valentine' 1980 © Ave Pildas
'Valentine' 1980 © Ave Pildas

Nudes, but not your Playboy magazine nudes! No airbrush here! These are artful nudes! Some are sexy, but it's not about sex!

'Teapot Nude' 1979 © Ave Pildas 'Dotted Swiss' 1979⁠ © Ave Pildas 'Pam and Stripes' 1980  © Ave Pildas 'Silent' 1979 © Ave Pildas 'Built for Speed' 1979 © Ave Pildas 'Fingernails' 1979 © Ave Pildas 'Valentine' 1980 © Ave Pildas

Nudes

AVE PILDAS PHOTOGRAPHY
April 20, 2021 by Ave Pildas in Nudes

Nudes, but not your Playboy magazine nudes!

No airbrush here!

These are artful nudes!

Some are sexy, but it's not about sex!


Would you like to purchase a photograph from Ave?

Send us an email and get a quote: avepildas@gmail.com

Subscribe

Sign up with your email address to receive news and updates.

We respect your privacy.

Thank you!
April 20, 2021 /Ave Pildas /Source
Ave Pildas, Photography, American Photographer, street photography, los angeles, Shadows, Silhouettes, Shadows & Silhouettes, Nudes
Nudes
'The Secret Life of Plants' 2018 © Ave Pildas
'The Secret Life of Plants' 2018 © Ave Pildas

They call it landscaping. For me is always a bit strange, so I'm attracted to it photographically. What are the plants thinking? What were the landscapers thinking? What are you thinking?

'2 Little Cojones' 1978 © Ave Pildas
'2 Little Cojones' 1978 © Ave Pildas

They call it landscaping. For me is always a bit strange, so I'm attracted to it photographically. What are the plants thinking? What were the landscapers thinking? What are you thinking?

'Cowlick' 1981 © Ave Pildas
'Cowlick' 1981 © Ave Pildas

They call it landscaping. For me is always a bit strange, so I'm attracted to it photographically. What are the plants thinking? What were the landscapers thinking? What are you thinking?

'Almost Mickey' 1981 © Ave Pildas
'Almost Mickey' 1981 © Ave Pildas

They call it landscaping. For me is always a bit strange, so I'm attracted to it photographically. What are the plants thinking? What were the landscapers thinking? What are you thinking?

'Poseidon' 1977 © Ave Pildas
'Poseidon' 1977 © Ave Pildas

They call it landscaping. For me is always a bit strange, so I'm attracted to it photographically. What are the plants thinking? What were the landscapers thinking? What are you thinking?

'Treasures Trivia' 1981⁠ © Ave Pildas
'Treasures Trivia' 1981⁠ © Ave Pildas

They call it landscaping. For me is always a bit strange, so I'm attracted to it photographically. What are the plants thinking? What were the landscapers thinking? What are you thinking?

'Sweater Sale' 1978 © Ave Pildas
'Sweater Sale' 1978 © Ave Pildas

They call it landscaping. For me is always a bit strange, so I'm attracted to it photographically. What are the plants thinking? What were the landscapers thinking? What are you thinking?

'The Secret Life of Plants' 2018 © Ave Pildas '2 Little Cojones' 1978 © Ave Pildas 'Cowlick' 1981 © Ave Pildas 'Almost Mickey' 1981 © Ave Pildas 'Poseidon' 1977 © Ave Pildas 'Treasures Trivia' 1981⁠ © Ave Pildas 'Sweater Sale' 1978 © Ave Pildas

The Secret Life of Plants

AVE PILDAS PHOTOGRAPHY
April 13, 2021 by Ave Pildas in Animal Antics

The Secret Life of Plants: They call it landscaping. For me is always a bit strange, so I'm attracted to it photographically.

What are the plants thinking?

What were the landscapers thinking?

What are you thinking?


Would you like to purchase a photograph from Ave?

Send us an email and get a quote: avepildas@gmail.com

Subscribe

Sign up with your email address to receive news and updates.

We respect your privacy.

Thank you!
April 13, 2021 /Ave Pildas /Source
Ave Pildas, Photography, American Photographer, street photography, los angeles, Shadows, Silhouettes, Shadows & Silhouettes
Animal Antics
'Cow on Wheels' © Ave Pildas 1980⁠ San Diego CA
'Cow on Wheels' © Ave Pildas 1980⁠ San Diego CA

To the Greeks and Romans, the “dog days” occurred around the day when Sirius appeared to rise just before the sun, on July 22 - Aug 22. They referred to these days as the hottest time of the year, a period that could bring fever or even catastrophe. ⁠ I have had dogs as pets for most of my life, and they are a favorite topic of my 40 + years collection of 'Animal Antics'.

'Cowboy & Mexican Hairless' © Ave Pildas, 1973, Palm Desert, California
'Cowboy & Mexican Hairless' © Ave Pildas, 1973, Palm Desert, California

To the Greeks and Romans, the “dog days” occurred around the day when Sirius appeared to rise just before the sun, on July 22 - Aug 22. They referred to these days as the hottest time of the year, a period that could bring fever or even catastrophe. ⁠ I have had dogs as pets for most of my life, and they are a favorite topic of my 40 + years collection of 'Animal Antics'.

'Dogs & Tiger' © Ave Pildas, 1974⁠, Holywood, California
'Dogs & Tiger' © Ave Pildas, 1974⁠, Holywood, California

To the Greeks and Romans, the “dog days” occurred around the day when Sirius appeared to rise just before the sun, on July 22 - Aug 22. They referred to these days as the hottest time of the year, a period that could bring fever or even catastrophe. ⁠ I have had dogs as pets for most of my life, and they are a favorite topic of my 40 + years collection of 'Animal Antics'.

'German Shepherd' © Ave Pildas, 1977, Karlsruhe, Germany.
'German Shepherd' © Ave Pildas, 1977, Karlsruhe, Germany.

To the Greeks and Romans, the “dog days” occurred around the day when Sirius appeared to rise just before the sun, on July 22 - Aug 22. They referred to these days as the hottest time of the year, a period that could bring fever or even catastrophe. ⁠ I have had dogs as pets for most of my life, and they are a favorite topic of my 40 + years collection of 'Animal Antics'.

'Rebel 1st Narcotic Dog' © Ave Pildas, 1976, Los Angeles, California
'Rebel 1st Narcotic Dog' © Ave Pildas, 1976, Los Angeles, California

To the Greeks and Romans, the “dog days” occurred around the day when Sirius appeared to rise just before the sun, on July 22 - Aug 22. They referred to these days as the hottest time of the year, a period that could bring fever or even catastrophe. ⁠ I have had dogs as pets for most of my life, and they are a favorite topic of my 40 + years collection of 'Animal Antics'.

'Trix at Bible Land' © Ave Pildas, 1974⁠, Calimesa, California
'Trix at Bible Land' © Ave Pildas, 1974⁠, Calimesa, California

To the Greeks and Romans, the “dog days” occurred around the day when Sirius appeared to rise just before the sun, on July 22 - Aug 22. They referred to these days as the hottest time of the year, a period that could bring fever or even catastrophe. ⁠ I have had dogs as pets for most of my life, and they are a favorite topic of my 40 + years collection of 'Animal Antics'.

'Bird Dogs' © Ave Pildas, 2017, Hollywood, California
'Bird Dogs' © Ave Pildas, 2017, Hollywood, California

To the Greeks and Romans, the “dog days” occurred around the day when Sirius appeared to rise just before the sun, on July 22 - Aug 22. They referred to these days as the hottest time of the year, a period that could bring fever or even catastrophe. ⁠ I have had dogs as pets for most of my life, and they are a favorite topic of my 40 + years collection of 'Animal Antics'.

'Cow on Wheels' © Ave Pildas 1980⁠ San Diego CA 'Cowboy & Mexican Hairless' © Ave Pildas, 1973, Palm Desert, California 'Dogs & Tiger' © Ave Pildas, 1974⁠, Holywood, California 'German Shepherd' © Ave Pildas, 1977, Karlsruhe, Germany. 'Rebel 1st Narcotic Dog' © Ave Pildas, 1976, Los Angeles, California 'Trix at Bible Land' © Ave Pildas, 1974⁠, Calimesa, California 'Bird Dogs' © Ave Pildas, 2017, Hollywood, California

Dogs Days

AVE PILDAS PHOTOGRAPHY
April 06, 2021 by Ave Pildas in Animal Antics

Dog Days: To the Greeks and Romans, the “dog days” occurred around the day when Sirius appeared to rise just before the sun, in July 22 - Aug 22.

They referred to these days as the hottest time of the year, a period that could bring fever, or even catastrophe. ⁠
⁠
I have had dogs as pets for most of my life, and they are a favorite topic of my 40 + years collection of 'Animal Antics'.


Would you like to purchase a photograph from Ave?

Send us an email and get a quote: avepildas@gmail.com

Subscribe

Sign up with your email address to receive news and updates.

We respect your privacy.

Thank you!
April 06, 2021 /Ave Pildas /Source
Ave Pildas, Photography, American Photographer, street photography, los angeles, Shadows, Silhouettes, Shadows & Silhouettes
Animal Antics
'Candy Girl' 2013⁠ — in Tokyo, Japan © Ave Pildas
'Candy Girl' 2013⁠ — in Tokyo, Japan © Ave Pildas

Street People are is favorite subject matter. I feel very comfortable taking photos of strangers. I try to speak with them in whatever common language we agree upon, often using my hands or drawing pictures to communicate. I always show them my camera screen after taking the photo.

'Hashish Doctor' 1965⁠ — in Marrakech, Morocco, Africa © Ave Pildas
'Hashish Doctor' 1965⁠ — in Marrakech, Morocco, Africa © Ave Pildas

Street People are is favorite subject matter. I feel very comfortable taking photos of strangers. I try to speak with them in whatever common language we agree upon, often using my hands or drawing pictures to communicate. I always show them my camera screen after taking the photo.

'Mumbai Groom' 2012⁠ — in Mumbai - Bombay , India © Ave Pildas
'Mumbai Groom' 2012⁠ — in Mumbai - Bombay , India © Ave Pildas

Street People are is favorite subject matter. I feel very comfortable taking photos of strangers. I try to speak with them in whatever common language we agree upon, often using my hands or drawing pictures to communicate. I always show them my camera screen after taking the photo.

'Shanghai BBQ' 2007⁠ — in Shanghai, China © Ave Pildas
'Shanghai BBQ' 2007⁠ — in Shanghai, China © Ave Pildas

Street People are is favorite subject matter. I feel very comfortable taking photos of strangers. I try to speak with them in whatever common language we agree upon, often using my hands or drawing pictures to communicate. I always show them my camera screen after taking the photo.

'Singing Goblets' 2014 — in Chiang Mai, Thailand © Ave Pildas
'Singing Goblets' 2014 — in Chiang Mai, Thailand © Ave Pildas

Street People are is favorite subject matter. I feel very comfortable taking photos of strangers. I try to speak with them in whatever common language we agree upon, often using my hands or drawing pictures to communicate. I always show them my camera screen after taking the photo.

'Who is next?' 2020 — in Itaparica, Bahia © Ave Pildas
'Who is next?' 2020 — in Itaparica, Bahia © Ave Pildas

Street People are is favorite subject matter. I feel very comfortable taking photos of strangers. I try to speak with them in whatever common language we agree upon, often using my hands or drawing pictures to communicate. I always show them my camera screen after taking the photo.

'Butcher' 2008 in Trujillo Peru © Ave Pildas
'Butcher' 2008 in Trujillo Peru © Ave Pildas

Street People are is favorite subject matter. I feel very comfortable taking photos of strangers. I try to speak with them in whatever common language we agree upon, often using my hands or drawing pictures to communicate. I always show them my camera screen after taking the photo.

'Candy Girl' 2013⁠ — in Tokyo, Japan © Ave Pildas 'Hashish Doctor' 1965⁠ — in Marrakech, Morocco, Africa © Ave Pildas 'Mumbai Groom' 2012⁠ — in Mumbai - Bombay , India © Ave Pildas 'Shanghai BBQ' 2007⁠ — in Shanghai, China © Ave Pildas 'Singing Goblets' 2014 — in Chiang Mai, Thailand © Ave Pildas 'Who is next?' 2020 — in Itaparica, Bahia © Ave Pildas 'Butcher' 2008 in Trujillo Peru © Ave Pildas

Street People

AVE PILDAS PHOTOGRAPHY
March 31, 2021 by Ave Pildas in Street People

Street People are my favorite subject matter. I feel very comfortable taking photos of strangers.

I try to speak with them in whatever common language we agree upon, often using my hands or drawing pictures to communicate.

I always show them my camera screen after taking the photo.


Would you like to purchase a photograph from Ave?

Send us an email and get a quote: avepildas@gmail.com

Subscribe

Sign up with your email address to receive news and updates.

We respect your privacy.

Thank you!
March 31, 2021 /Ave Pildas /Source
Ave Pildas, Photography, American Photographer, street photography, los angeles, Shadows, Silhouettes, Shadows & Silhouettes
Street People
'Angkor Wat' 2013 © Ave Pildas
'Angkor Wat' 2013 © Ave Pildas

About this picture: I awoke at 3am to get there by sunrise. There were hundreds of people there before me. I had to be very pushy to get a good view point! ⁠ Thank all of you for traveling along with me and my travel pictures. While most of my photography focuses on people, I am also interested in Architecture and Monuments. These, generally, support the history and religion of the countries that I visit. While some are in disrepair, most are protected and in various states of repair. Many are not easy to get too, and you have to be patient to find the right station point to keep the tourists from getting into the frame.

'Great Wall of China' 2007⁠ © Ave Pildas
'Great Wall of China' 2007⁠ © Ave Pildas

The wall continued on for as far as the eye could see...It is 13,171 miles long! I can't see that far! ⁠Thank all of you for traveling along with me and my travel pictures. While most of my photography focuses on people, I am also interested in Architecture and Monuments. These, generally, support the history and religion of the countries that I visit. While some are in disrepair, most are protected and in various states of repair. Many are not easy to get too, and you have to be patient to find the right station point to keep the tourists from getting into the frame.

'The Arch' 2019 © Ave Pildas
'The Arch' 2019 © Ave Pildas

Thank all of you for traveling along with me and my travel pictures. While most of my photography focuses on people, I am also interested in Architecture and Monuments. These, generally, support the history and religion of the countries that I visit. While some are in disrepair, most are protected and in various states of repair. Many are not easy to get too, and you have to be patient to find the right station point to keep the tourists from getting into the frame.

'Chichen Itza' 2009 © Ave Pildas
'Chichen Itza' 2009 © Ave Pildas

Thank all of you for traveling along with me and my travel pictures. While most of my photography focuses on people, I am also interested in Architecture and Monuments. These, generally, support the history and religion of the countries that I visit. While some are in disrepair, most are protected and in various states of repair. Many are not easy to get too, and you have to be patient to find the right station point to keep the tourists from getting into the frame.

'Chand Baori' 2018 © Ave Pildas
'Chand Baori' 2018 © Ave Pildas

Thank all of you for traveling along with me and my travel pictures. While most of my photography focuses on people, I am also interested in Architecture and Monuments. These, generally, support the history and religion of the countries that I visit. While some are in disrepair, most are protected and in various states of repair. Many are not easy to get too, and you have to be patient to find the right station point to keep the tourists from getting into the frame.

'Stonehenge' 1984 © Ave Pildas
'Stonehenge' 1984 © Ave Pildas

Thank all of you for traveling along with me and my travel pictures. While most of my photography focuses on people, I am also interested in Architecture and Monuments. These, generally, support the history and religion of the countries that I visit. While some are in disrepair, most are protected and in various states of repair. Many are not easy to get too, and you have to be patient to find the right station point to keep the tourists from getting into the frame.

'Sagrada Familia' 2011 © Ave Pildas
'Sagrada Familia' 2011 © Ave Pildas

Thank all of you for traveling along with me and my travel pictures. While most of my photography focuses on people, I am also interested in Architecture and Monuments. These, generally, support the history and religion of the countries that I visit. While some are in disrepair, most are protected and in various states of repair. Many are not easy to get too, and you have to be patient to find the right station point to keep the tourists from getting into the frame.

'Angkor Wat' 2013 © Ave Pildas 'Great Wall of China' 2007⁠ © Ave Pildas 'The Arch' 2019 © Ave Pildas 'Chichen Itza' 2009 © Ave Pildas 'Chand Baori' 2018 © Ave Pildas 'Stonehenge' 1984 © Ave Pildas 'Sagrada Familia' 2011 © Ave Pildas

Travel

AVE PILDAS PHOTOGRAPHY
March 23, 2021 by Ave Pildas in Shadows & Silhouettes

Travel: Thank all of you for traveling along with me and my travel pictures. While most of my photography focuses on people, I am also interested in Architecture and Monuments.

These, generally, support the history and religion of the countries that I visit. While some are in disrepair, most are protected and in various states of repair. Many are not easy to get to, and you have to be patient to find the right station point to keep the tourists from getting into the frame.

⁠


Would you like to purchase a photograph from Ave?

Send us an email and get a quote: avepildas@gmail.com

Subscribe

Sign up with your email address to receive news and updates.

We respect your privacy.

Thank you!
March 23, 2021 /Ave Pildas /Source
Ave Pildas, Photography, American Photographer, street photography, los angeles, Shadows, Silhouettes, Shadows & Silhouettes
Shadows & Silhouettes
'Twirling Table Top' 2020 © Ave Pildas
'Twirling Table Top' 2020 © Ave Pildas

Shadows & Silhouettes: They look a lot alike, but are very different. I often find them together, both lack, detail, and rely on shape.

They are flat and graphic for me. Silhouettes are the real world while shadows are of another world, both are mysterious, enigmatic, curious, and strange. They stir my imagination. I'm attracted to both. They help me make great photographs.⁠

'Exit' 2014 © Ave Pildas
'Exit' 2014 © Ave Pildas

Shadows & Silhouettes: They look a lot alike, but are very different. I often find them together, both lack, detail, and rely on shape.

They are flat and graphic for me. Silhouettes are the real world while shadows are of another world, both are mysterious, enigmatic, curious, and strange. They stir my imagination. I'm attracted to both. They help me make great photographs.⁠

'Open Court' 1982 © Ave Pildas
'Open Court' 1982 © Ave Pildas

Shadows & Silhouettes: They look a lot alike, but are very different. I often find them together, both lack, detail, and rely on shape.

They are flat and graphic for me. Silhouettes are the real world while shadows are of another world, both are mysterious, enigmatic, curious, and strange. They stir my imagination. I'm attracted to both. They help me make great photographs.⁠

'Palm Readings' 2018 © Ave Pildas
'Palm Readings' 2018 © Ave Pildas

Shadows & Silhouettes: They look a lot alike, but are very different. I often find them together, both lack, detail, and rely on shape.

They are flat and graphic for me. Silhouettes are the real world while shadows are of another world, both are mysterious, enigmatic, curious, and strange. They stir my imagination. I'm attracted to both. They help me make great photographs.⁠

'Phallic Mickey' 1977 © Ave Pildas
'Phallic Mickey' 1977 © Ave Pildas

Shadows & Silhouettes: They look a lot alike, but are very different. I often find them together, both lack, detail, and rely on shape.

They are flat and graphic for me. Silhouettes are the real world while shadows are of another world, both are mysterious, enigmatic, curious, and strange. They stir my imagination. I'm attracted to both. They help me make great photographs.⁠

'SFMOMA Bridge' 2009 © Ave Pildas
'SFMOMA Bridge' 2009 © Ave Pildas

Shadows & Silhouettes: They look a lot alike, but are very different. I often find them together, both lack, detail, and rely on shape.

They are flat and graphic for me. Silhouettes are the real world while shadows are of another world, both are mysterious, enigmatic, curious, and strange. They stir my imagination. I'm attracted to both. They help me make great photographs.⁠

'2 Wheels Good' 2019 © Ave Pildas
'2 Wheels Good' 2019 © Ave Pildas

Shadows & Silhouettes: They look a lot alike, but are very different. I often find them together, both lack, detail, and rely on shape.

They are flat and graphic for me. Silhouettes are the real world while shadows are of another world, both are mysterious, enigmatic, curious, and strange. They stir my imagination. I'm attracted to both. They help me make great photographs.⁠

'Twirling Table Top' 2020 © Ave Pildas 'Exit' 2014 © Ave Pildas 'Open Court' 1982 © Ave Pildas 'Palm Readings' 2018 © Ave Pildas 'Phallic Mickey' 1977 © Ave Pildas 'SFMOMA Bridge' 2009 © Ave Pildas '2 Wheels Good' 2019 © Ave Pildas

Shadows & Silhouettes

AVE PILDAS PHOTOGRAPHY
March 16, 2021 by Ave Pildas in Shadows & Silhouettes

Shadows & Silhouettes: They look a lot alike, but are very different. I often find them together, both lack, detail, and rely on a shape.

They are flat and graphic for me. Silhouettes are the real world while shadows are of another world, both are mysterious, enigmatic, curious, and strange. They stir my imagination. I'm attracted to both. They help me make great photographs.⁠

⁠


Shadows / Silhouettes
Shadows / Silhouettes
$20.00

Book contains ten images from the series.
Photography by Ave Pildas


Would you like to purchase a photograph from Ave?

Send us an email and get a quote: avepildas@gmail.com

Subscribe

Sign up with your email address to receive news and updates.

We respect your privacy.

Thank you!
March 16, 2021 /Ave Pildas /Source
Ave Pildas, Photography, American Photographer, street photography, los angeles, Shadows, Silhouettes, Shadows & Silhouettes
Shadows & Silhouettes
'The Great Leap Forward' 2007⁠ © Ave Pildas
'The Great Leap Forward' 2007⁠ © Ave Pildas

I've been traveling for 60 plus years. I ran away from home after high school at 17. It only lasted 3 months. After college, I headed the East Coast then on to Europe.⁠ As a photographer, I live and breathe adventure. New people and places, are like new blood. During this pandemic, I am not traveling. I am bored to death. So, I am sharing with you past travels and the people that have crossed my path.⁠

'Back to Front' 2008 ⁠© Ave Pildas
'Back to Front' 2008 ⁠© Ave Pildas

I've been traveling for 60 plus years. I ran away from home after high school at 17. It only lasted 3 months. After college, I headed the East Coast then on to Europe.⁠ As a photographer, I live and breathe adventure. New people and places, are like new blood. During this pandemic, I am not traveling. I am bored to death. So, I am sharing with you past travels and the people that have crossed my path.⁠

Three's a Crowd' 2016 © Ave Pildas
Three's a Crowd' 2016 © Ave Pildas

I've been traveling for 60 plus years. I ran away from home after high school at 17. It only lasted 3 months. After college, I headed the East Coast then on to Europe.⁠

'The Best Of The Wurst' 1974 © Ave Pildas
'The Best Of The Wurst' 1974 © Ave Pildas

I've been traveling for 60 plus years. I ran away from home after high school at 17. It only lasted 3 months. After college, I headed the East Coast then on to Europe.⁠⁠ As a photographer, I live and breathe adventure. New people and places, are like new blood. During this pandemic, I am not traveling. I am bored to death. So, I am sharing with you past travels and the people that have crossed my path.⁠

'Sightless Singers' 2016 © Ave Pildas
'Sightless Singers' 2016 © Ave Pildas

I've been traveling for 60 plus years. I ran away from home after high school at 17. It only lasted 3 months. After college, I headed the East Coast then on to Europe.⁠ As a photographer, I live and breathe adventure. New people and places, are like new blood. During this pandemic, I am not traveling. I am bored to death. So, I am sharing with you past travels and the people that have crossed my path.

'Blue Army' 1975 © Ave Pildas
'Blue Army' 1975 © Ave Pildas

I've been traveling for 60 plus years. I ran away from home after high school at 17. It only lasted 3 months. After college, I headed the East Coast then on to Europe.⁠ As a photographer, I live and breathe adventure. New people and places, are like new blood. During this pandemic, I am not traveling. I am bored to death. So, I am sharing with you past travels and the people that have crossed my path.⁠

'Holy Man, Holy Cow' 2018 © Ave Pildas
'Holy Man, Holy Cow' 2018 © Ave Pildas

I've been traveling for 60 plus years. I ran away from home after high school at 17. It only lasted 3 months. After college, I headed the East Coast then on to Europe.⁠ As a photographer, I live and breathe adventure. New people and places, are like new blood. During this pandemic, I am not traveling. I am bored to death. So, I am sharing with you past travels and the people that have crossed my path.⁠

⁠

'The Great Leap Forward' 2007⁠ © Ave Pildas 'Back to Front' 2008 ⁠© Ave Pildas Three's a Crowd' 2016 © Ave Pildas 'The Best Of The Wurst' 1974 © Ave Pildas 'Sightless Singers' 2016 © Ave Pildas 'Blue Army' 1975 © Ave Pildas 'Holy Man, Holy Cow' 2018 © Ave Pildas

Street People

AVE PILDAS PHOTOGRAPHY
March 09, 2021 by Ave Pildas in Street People

I've been traveling for 60 plus years. I ran away from home after high school at 17. It only lasted 3 months.

After college, I headed to the East Coast then on to Europe.⁠ As a photographer, I live and breathe adventure.

New people and places are like new blood. During this pandemic, I am not traveling. I am bored to death.

So, I am sharing with you past travels and the people that have crossed my path.⁠


Street People
Street People
$20.00

Book contains ten images from the series.
Photography by Ave Pildas


Would you like to purchase a photograph from Ave?

Send us an email and get a quote: avepildas@gmail.com

Subscribe

Sign up with your email address to receive news and updates.

We respect your privacy.

Thank you!
March 09, 2021 /Ave Pildas /Source
Ave Pildas, Photography, American Photographer, Animal Antics, mannequins and dummies, street photography, los angeles
Street People
'Metro Mannequins' 1975 Ave Pildas
'Metro Mannequins' 1975 Ave Pildas

"Mannequins and dummies": I've been drawn to mannequins since I was young. So real, so unreal. When I began taking pictures, they became a subject to photograph. I now have a 45 year collection of mannequins images. Mannequins changed from culture to culture, in France and Northern Europe, they tend to be thinner, the style of clothes change in Latin America and they have big butts, and in India and Southeast Asia they are often recycled mannequins from the U S, many missing hands, feet and heads. I especially like when mannequins interact with humans. No matter where they are, they are a fantasy. I try to show them in their environment.⁠

'Muscle Up' 2018⁠ Ave Pildas
'Muscle Up' 2018⁠ Ave Pildas

"Mannequins and dummies": I've been drawn to mannequins since I was young. So real, so unreal. When I began taking pictures, they became a subject to photograph. I now have a 45 year collection of mannequins images. Mannequins changed from culture to culture, in France and Northern Europe, they tend to be thinner, the style of clothes change in Latin America and they have big butts, and in India and Southeast Asia they are often recycled mannequins from the U S, many missing hands, feet and heads. I especially like when mannequins interact with humans. No matter where they are, they are a fantasy. I try to show them in their environment.⁠

'Love at First Sight' 2016 ⁠ © Ave Pildas
'Love at First Sight' 2016 ⁠ © Ave Pildas

"Mannequins and dummies": I've been drawn to mannequins since I was young. So real, so unreal. When I began taking pictures, they became a subject to photograph. I now have a 45 year collection of mannequins images. Mannequins changed from culture to culture, in France and Northern Europe, they tend to be thinner, the style of clothes change in Latin America and they have big butts, and in India and Southeast Asia they are often recycled mannequins from the U S, many missing hands, feet and heads. I especially like when mannequins interact with humans. No matter where they are, they are a fantasy. I try to show them in their environment.⁠

'Nothing But Mask' 2020⁠ Ave Pildas
'Nothing But Mask' 2020⁠ Ave Pildas

"Mannequins and dummies": I've been drawn to mannequins since I was young. So real, so unreal. When I began taking pictures, they became a subject to photograph. I now have a 45 year collection of mannequins images. Mannequins changed from culture to culture, in France and Northern Europe, they tend to be thinner, the style of clothes change in Latin America and they have big butts, and in India and Southeast Asia they are often recycled mannequins from the U S, many missing hands, feet and heads. I especially like when mannequins interact with humans. No matter where they are, they are a fantasy. I try to show them in their environment.⁠

'Helping Hand' 1975⁠ Ave Pildas
'Helping Hand' 1975⁠ Ave Pildas

"Mannequins and dummies": I've been drawn to mannequins since I was young. So real, so unreal. When I began taking pictures, they became a subject to photograph. I now have a 45 year collection of mannequins images. Mannequins changed from culture to culture, in France and Northern Europe, they tend to be thinner, the style of clothes change in Latin America and they have big butts, and in India and Southeast Asia they are often recycled mannequins from the U S, many missing hands, feet and heads. I especially like when mannequins interact with humans. No matter where they are, they are a fantasy. I try to show them in their environment.⁠

'Heads Not Tails' 2013 Ave Pildas
'Heads Not Tails' 2013 Ave Pildas

"Mannequins and dummies": I've been drawn to mannequins since I was young. So real, so unreal. When I began taking pictures, they became a subject to photograph. I now have a 45 year collection of mannequins images. Mannequins changed from culture to culture, in France and Northern Europe, they tend to be thinner, the style of clothes change in Latin America and they have big butts, and in India and Southeast Asia they are often recycled mannequins from the U S, many missing hands, feet and heads. I especially like when mannequins interact with humans. No matter where they are, they are a fantasy. I try to show them in their environment.⁠

'Ready To Party' 2015⁠ Ave Pildas
'Ready To Party' 2015⁠ Ave Pildas

"Mannequins and dummies": I've been drawn to mannequins since I was young. So real, so unreal. When I began taking pictures, they became a subject to photograph. I now have a 45 year collection of mannequins images. Mannequins changed from culture to culture, in France and Northern Europe, they tend to be thinner, the style of clothes change in Latin America and they have big butts, and in India and Southeast Asia they are often recycled mannequins from the U S, many missing hands, feet and heads. I especially like when mannequins interact with humans. No matter where they are, they are a fantasy. I try to show them in their environment.⁠

'Metro Mannequins' 1975 Ave Pildas 'Muscle Up' 2018⁠ Ave Pildas 'Love at First Sight' 2016 ⁠ © Ave Pildas 'Nothing But Mask' 2020⁠ Ave Pildas 'Helping Hand' 1975⁠ Ave Pildas 'Heads Not Tails' 2013 Ave Pildas 'Ready To Party' 2015⁠ Ave Pildas

Mannequins and Dummies

AVE PILDAS PHOTOGRAPHY
March 02, 2021 by Ave Pildas in Mannequins and Dummies

"Mannequins and dummies": I've been drawn to mannequins since I was young. So real, so unreal.

When I began taking pictures, they became subject to photograph. I now have a 45-year collection of mannequins images.

Mannequins changed from culture to culture, in France and Northern Europe, they tend to be thinner, the style of clothes change in Latin America and they have big butts, and in India and Southeast Asia, they are often recycled mannequins from the US, many missing hands, feet, and heads.

I especially like when mannequins interact with humans. No matter where they are, they are a fantasy. I try to show them in their environment.⁠


Mannequins + Dummies
Mannequins + Dummies
$20.00

Book contains ten images from the series.
Photography by Ave Pildas


Would you like to purchase a photograph from Ave?

Send us an email and get a quote: avepildas@gmail.com

Subscribe

Sign up with your email address to receive news and updates.

We respect your privacy.

Thank you!
March 02, 2021 /Ave Pildas /Source
Ave Pildas, Photography, American Photographer, Animal Antics, mannequins and dummies, street photography, los angeles
Mannequins and Dummies
'Worlds Biggest Entertainer' ⁠1980⁠ Ave Pildas
'Worlds Biggest Entertainer' ⁠1980⁠ Ave Pildas

"Animal Antics" documents my observations over 40 years of humans interactions with animals. These observations have occurred worldwide. My subjects include not only living specimens, but also our representations of animals and monuments to them. We love animals as pets, revere them as creatures of nature, gawk at them in zoos, consume them as food, hunt them for sport, display them as trophies and adorn ourselves with their skins and fur. They serve us in many ways. Check back tomorrow for more "Animal Antics".⁠

'Basketball Playing Chicken' 1991 ⁠Ave Pildas
'Basketball Playing Chicken' 1991 ⁠Ave Pildas

"Animal Antics" documents my observations over 40 years of humans interactions with animals. These observations have occurred worldwide. My subjects include not only living specimens, but also our representations of animals and monuments to them. We love animals as pets, revere them as creatures of nature, gawk at them in zoos, consume them as food, hunt them for sport, display them as trophies and adorn ourselves with their skins and fur. They serve us in many ways. Check back tomorrow for more "Animal Antics".⁠

'Chinese Cover-up' 2007⁠ Ave Pildas
'Chinese Cover-up' 2007⁠ Ave Pildas

"Animal Antics" documents my observations over 40 years of humans interactions with animals. These observations have occurred worldwide. My subjects include not only living specimens, but also our representations of animals and monuments to them. We love animals as pets, revere them as creatures of nature, gawk at them in zoos, consume them as food, hunt them for sport, display them as trophies and adorn ourselves with their skins and fur. They serve us in many ways. Check back tomorrow for more "Animal Antics".⁠

'Giraffe' 1979 Ave Pildas
'Giraffe' 1979 Ave Pildas

"Animal Antics" documents my observations over 40 years of humans interactions with animals. These observations have occurred worldwide. My subjects include not only living specimens, but also our representations of animals and monuments to them. We love animals as pets, revere them as creatures of nature, gawk at them in zoos, consume them as food, hunt them for sport, display them as trophies and adorn ourselves with their skins and fur. They serve us in many ways. Check back tomorrow for more "Animal Antics".⁠

'Macaw and Friends' 2007⁠
'Macaw and Friends' 2007⁠

"Animal Antics" documents my observations over 40 years of humans interactions with animals. These observations have occurred worldwide. My subjects include not only living specimens, but also our representations of animals and monuments to them. We love animals as pets, revere them as creatures of nature, gawk at them in zoos, consume them as food, hunt them for sport, display them as trophies and adorn ourselves with their skins and fur. They serve us in many ways. Check back tomorrow for more "Animal Antics".⁠

'After Xmas Sale' 2011 Ave Pildas
'After Xmas Sale' 2011 Ave Pildas

"Animal Antics" documents my observations over 40 years of humans interactions with animals. These observations have occurred worldwide. My subjects include not only living specimens, but also our representations of animals and monuments to them. We love animals as pets, revere them as creatures of nature, gawk at them in zoos, consume them as food, hunt them for sport, display them as trophies and adorn ourselves with their skins and fur. They serve us in many ways. Check back tomorrow for more "Animal Antics".⁠

'Pig Porno' 1995 Ave Pildas
'Pig Porno' 1995 Ave Pildas

"Animal Antics" documents my observations over 40 years of humans interactions with animals. These observations have occurred worldwide. My subjects include not only living specimens, but also our representations of animals and monuments to them. We love animals as pets, revere them as creatures of nature, gawk at them in zoos, consume them as food, hunt them for sport, display them as trophies and adorn ourselves with their skins and fur. They serve us in many ways. Check back tomorrow for more "Animal Antics".⁠

'Worlds Biggest Entertainer' ⁠1980⁠ Ave Pildas 'Basketball Playing Chicken' 1991 ⁠Ave Pildas 'Chinese Cover-up' 2007⁠ Ave Pildas 'Giraffe' 1979 Ave Pildas 'Macaw and Friends' 2007⁠ 'After Xmas Sale' 2011 Ave Pildas 'Pig Porno' 1995 Ave Pildas

Animal Antics

February 25, 2021 by Ave Pildas

"Animal Antics" documents my observations over 40 years of humans interactions with animals. These observations have occurred worldwide.

My subjects include not only living specimens but also our representations of animals and monuments to them.

We love animals as pets, revere them as creatures of nature, gawk at them in zoos, consume them as food, hunt them for sport, display them as trophies and adorn ourselves with their skins and fur. They serve us in many ways.


Animal Antics
Animal Antics
$20.00

Book contains ten images from the series.
Photography by Ave Pildas


Would you like to purchase a photograph from Ave?

Send us an email and get a quote: avepildas@gmail.com

Subscribe

Sign up with your email address to receive news and updates.

We respect your privacy.

Thank you!
February 25, 2021 /Ave Pildas /Source
Ave Pildas, Photography, American Photographer, Animal Antics
  • Newer
  • Older