BY AVE PILDAS
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'Metro Mannequins' 1975 Ave Pildas

'Metro Mannequins' 1975 Ave Pildas

"Mannequins and dummies": I've been drawn to mannequins since I was young. So real, so unreal. When I began taking pictures, they became a subject to photograph. I now have a 45 year collection of mannequins images. Mannequins changed from culture to culture, in France and Northern Europe, they tend to be thinner, the style of clothes change in Latin America and they have big butts, and in India and Southeast Asia they are often recycled mannequins from the U S, many missing hands, feet and heads. I especially like when mannequins interact with humans. No matter where they are, they are a fantasy. I try to show them in their environment.⁠

'Muscle Up' 2018⁠ Ave Pildas

'Muscle Up' 2018⁠ Ave Pildas

"Mannequins and dummies": I've been drawn to mannequins since I was young. So real, so unreal. When I began taking pictures, they became a subject to photograph. I now have a 45 year collection of mannequins images. Mannequins changed from culture to culture, in France and Northern Europe, they tend to be thinner, the style of clothes change in Latin America and they have big butts, and in India and Southeast Asia they are often recycled mannequins from the U S, many missing hands, feet and heads. I especially like when mannequins interact with humans. No matter where they are, they are a fantasy. I try to show them in their environment.⁠

'Love at First Sight' 2016 ⁠ © Ave Pildas

'Love at First Sight' 2016 ⁠ © Ave Pildas

"Mannequins and dummies": I've been drawn to mannequins since I was young. So real, so unreal. When I began taking pictures, they became a subject to photograph. I now have a 45 year collection of mannequins images. Mannequins changed from culture to culture, in France and Northern Europe, they tend to be thinner, the style of clothes change in Latin America and they have big butts, and in India and Southeast Asia they are often recycled mannequins from the U S, many missing hands, feet and heads. I especially like when mannequins interact with humans. No matter where they are, they are a fantasy. I try to show them in their environment.⁠

'Nothing But Mask' 2020⁠ Ave Pildas

'Nothing But Mask' 2020⁠ Ave Pildas

"Mannequins and dummies": I've been drawn to mannequins since I was young. So real, so unreal. When I began taking pictures, they became a subject to photograph. I now have a 45 year collection of mannequins images. Mannequins changed from culture to culture, in France and Northern Europe, they tend to be thinner, the style of clothes change in Latin America and they have big butts, and in India and Southeast Asia they are often recycled mannequins from the U S, many missing hands, feet and heads. I especially like when mannequins interact with humans. No matter where they are, they are a fantasy. I try to show them in their environment.⁠

'Helping Hand' 1975⁠ Ave Pildas

'Helping Hand' 1975⁠ Ave Pildas

"Mannequins and dummies": I've been drawn to mannequins since I was young. So real, so unreal. When I began taking pictures, they became a subject to photograph. I now have a 45 year collection of mannequins images. Mannequins changed from culture to culture, in France and Northern Europe, they tend to be thinner, the style of clothes change in Latin America and they have big butts, and in India and Southeast Asia they are often recycled mannequins from the U S, many missing hands, feet and heads. I especially like when mannequins interact with humans. No matter where they are, they are a fantasy. I try to show them in their environment.⁠

'Heads Not Tails' 2013 Ave Pildas

'Heads Not Tails' 2013 Ave Pildas

"Mannequins and dummies": I've been drawn to mannequins since I was young. So real, so unreal. When I began taking pictures, they became a subject to photograph. I now have a 45 year collection of mannequins images. Mannequins changed from culture to culture, in France and Northern Europe, they tend to be thinner, the style of clothes change in Latin America and they have big butts, and in India and Southeast Asia they are often recycled mannequins from the U S, many missing hands, feet and heads. I especially like when mannequins interact with humans. No matter where they are, they are a fantasy. I try to show them in their environment.⁠

'Ready To Party' 2015⁠ Ave Pildas

'Ready To Party' 2015⁠ Ave Pildas

"Mannequins and dummies": I've been drawn to mannequins since I was young. So real, so unreal. When I began taking pictures, they became a subject to photograph. I now have a 45 year collection of mannequins images. Mannequins changed from culture to culture, in France and Northern Europe, they tend to be thinner, the style of clothes change in Latin America and they have big butts, and in India and Southeast Asia they are often recycled mannequins from the U S, many missing hands, feet and heads. I especially like when mannequins interact with humans. No matter where they are, they are a fantasy. I try to show them in their environment.⁠

'Metro Mannequins' 1975 Ave Pildas

'Muscle Up' 2018⁠ Ave Pildas

'Love at First Sight' 2016 ⁠ © Ave Pildas

'Nothing But Mask' 2020⁠ Ave Pildas

'Helping Hand' 1975⁠ Ave Pildas

'Heads Not Tails' 2013 Ave Pildas

'Ready To Party' 2015⁠ Ave Pildas

Mannequins and Dummies

AVE PILDAS PHOTOGRAPHY

March 02, 2021 by Ave Pildas in Mannequins and Dummies

"Mannequins and dummies": I've been drawn to mannequins since I was young. So real, so unreal.

When I began taking pictures, they became subject to photograph. I now have a 45-year collection of mannequins images.

Mannequins changed from culture to culture, in France and Northern Europe, they tend to be thinner, the style of clothes change in Latin America and they have big butts, and in India and Southeast Asia, they are often recycled mannequins from the US, many missing hands, feet, and heads.

I especially like when mannequins interact with humans. No matter where they are, they are a fantasy. I try to show them in their environment.⁠

Mannequins + Dummies

Mannequins + Dummies

$16.00 $20.00

Book contains ten images from the series.
Photography by Ave Pildas

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